2025 Collection
2025 Collection
Time & Style presents the 2025 collection, where traditional craftsmanship meets the purity of modern design. Shaped by artisans with a deep reverence for Japan’s finest materials—Akita Cedar, Mino Washi, and hand-forged metals—each piece embodies a balance of heritage and innovation. With clean lines and refined details, the collection reinterprets time-honored techniques for contemporary interiors, seamlessly integrating chairs, small tables, shelves, cabinets, partitions, and lighting into modern living spaces.
Created by the Time & Style Design Team and in collaboration with designers from Japan, Sweden, and Denmark, the collection reflects a commitment to simplicity, elegance, and longevity.
Unveiled at Milan Design Week, it invites you to experience a fusion of past and present—where craftsmanship and modern design come together to shape the future.
chairs
Woodnote
Woodnote blends over a century of Tohoku-region bentwood expertise with modern craftsmanship to create a chair defined by flowing curves. The unique elliptical shapes are achieved through carving and bending with dynamic precision. Scarf joints seamlessly connect the armrests and legs, while meticulous hand-finishing ensures a smooth, warm tactile experience. The result is a chair that is both visually striking and very comfortable, offering a harmonious blend of tradition and innovation for modern living spaces.
TLSB (Triangular Legged Scroll Back chair)
The scrollback chair is a type of Windsor chair that was mass-produced in the High Wycombe region of England from around 1850 to the early 1900s. The population of 19th-century Europe rapidly increased after the Industrial Revolution, and demand grew for small chairs to use at the dining table. In response to this demand, a new chair with an extremely small seat was developed in High Wycombe, the birthplace of Windsor chairs. The scrollback is the smallest and lightest Windsor chair; it also boasts a unique design for comfort, with two S-shaped back pillars and a crosspiece called a central stay, rather than a spindle-based backrest. It was called a scrollback because the tip of each back pillar was shaped like a spiral, and this design later had a great influence on Japanese folk-art furniture.
The TLSB chair is a scrollback chair whose name is an acronym for Triangular-Legged Scroll-Back, highlighting its unique design in which the back pillars, crosspiece, and rear legs are arranged in a triangle, and a rattan-covered seat frame is fixed on top of it. This innovative structure, which was conceived to ensure efficient material use and rigidity, has made the chair even lighter, evolving it into an easy-to-use furniture item that can be lifted with one hand. While boldly modifying the structure itself, we have retained and refined the original elements such as the central stay and scrolls, resulting in a design that feels like a fusion of classic and modern, Western and Eastern. The small seat, slightly high curved backrest, and unique appearance, which imparts a sense of volume, still feel fresh even after 150 years.
Yamazakura
For over 20 years, we have been creating chairs with the theme of tategoushi (vertical lattices).
Through this process, we have come to understand how the shape of each component’s cross-section can greatly influence the overall impression of a design. When the cross-section is square, the edges create strong contrasts, giving a sharp and structured look. In contrast, round elements produce soft shadows, creating a gentle and calm atmosphere.
“Yamazakura” combines an oval-shaped frame—neither square nor round—with vertical bars that have a square cross-section. However, this oval is not simply smooth and rounded; its top and bottom are subtly pointed, giving it a distinctive character. This creates a continuous, flowing outline from the arms to the back posts and the top rail, as if drawn in a single stroke. The gentle twists along its surfaces allow soft shadows and crisp edges to coexist, forming a design that is both delicate and defined.
While vertical lattices in traditional Japanese architecture often convey a sense of stillness, the bars on the back of Yamazakura follow the curve of the top rail and intersect with the back posts and rear legs, adding depth and a sense of movement.
As the chair is viewed from different angles, its expression subtly shifts. From the front, the vertical bars create a rhythmic play of light and shadow, emphasizing its structure. From the side, the gentle curve of the top rail and the seamless flow of the frame become more pronounced. With each perspective, Yamazakura reveals new depth and beauty, inviting the viewer to experience its changing form.
Vestige
Kensaku Oshiro’s design is grounded in the innovative bentwood techniques introduced to Japan in the 1910s. Inspired by craftsmen using a “Nanjing kanna” plane to refine bentwood, Oshiro preserved the marks of this process to capture the beauty of handcraftsmanship. The chair features a shell-like seat with flowing frames and warm wood textures, blending historical techniques with contemporary design. This fusion creates a visually stunning and functional piece, showcasing Oshiro’s dedication to craft and innovation.
The wooden cantilever chair
Molded plywood technology makes it possible to create curved shapes that solid wood cannot achieve while keeping the warmth and natural feel of wood. This technology also provides strength and flexibility. We have re-examined this method to explore new ways to express the beauty of wood, leading to the creation of The wooden cantilever chair.
This chair features a Bauhaus-style cantilever structure, in which the seat is supported by the frame without back legs, creating a floating effect. Molded plywood gives the chair both strength and flexibility, allowing it to bend slightly for a comfortable sitting experience. This natural bending makes the chair gently adapt to the body. To enhance the feel of the wood, we shaped the plywood into an oval form, just like solid wood, resulting in a soft and warm texture. The seat shell, supported by the frame, is made of carefully shaped wooden parts that connect to create a beautiful whole. These elements come together in a single flowing form, making the chair not only comfortable but also visually elegant.
Kouryu
The Kouryu chair was originally designed for Noma Kyoto, and the stool is the latest addition to the crafted universe. The Kouryu is the epitome of a beautiful cross-cultural encounter. This chair seamlessly blends Japanese and Danish aesthetics, reflecting a shared passion for quality, detail, and craftsmanship. It embodies both Japanese and Danish influences in its appearance and feel, while also offering a fresh perspective on materiality and expression.
The design process spanned over a year and required daily dialogue, intense focus, and unwavering dedication. The goal was to create a chair that allows the user to not only see but also feel and sense its presence. As you sit, the chair gently embraces your body, inviting you to touch and appreciate the beautiful, soft wood, the gracefully rounded curves, and the subtle scent of grass from the tatami seat.
Crafted from zelkova hardwood sourced from Honshu, Japan, this chair features the distinctive grains and colors for which zelkova is renowned, and therefore often used in temples and shrines. Additionally, the seat made of tatami introduces a unique innovation: while tatami matting is traditionally flat and square, here it takes on a soft, three-dimensional shape that enhances the chair’s overall comfort and aesthetic appeal.
Fly me to the moon
This armchair is a harmonious creation crafted entirely from solid wood. Each essential part—from the backrest and armrests to the seat frame and legs—is meticulously formed, with every piece featuring a leaf-like cross-section. The backrest provides strong support for the lower back, while the armrests extend gracefully, adding to the user’s overall comfort. The seat frame is connected with traditional finger joints, seamlessly transitioning into the legs, which maintain sharp, clean edges, highlighting the chair’s sleek and modern aesthetic.
The thoughtful design of this armchair creates a perfect balance of unity and elegance. The smooth, seamless connections between parts give it a sculptural quality, while the simplicity of the design allows the beauty of the craftsmanship to shine through. This chair is not only a functional piece of furniture but also an artistic addition to any space, offering both style and comfort in equal measure.
Struct chair
The Struct chair honors mid-century modern design with chairs that combine chrome metal legs and plywood seats. The series emphasizes the rationality of its structure, using materials that balance strength and warmth. Metal provides durability, while wood adds tactile comfort. The chairs feature stacking functionality in both side and armchair versions, enhancing their practicality and space efficiency. With an elegant curved backrest and refined leg silhouette, the design harmonizes Japanese functional beauty with modern sophistication, making it a versatile addition to any environment.
Nenrin
Nenrin is a versatile stool and side table crafted from Yoshino cedar, a prized material from one of Japan’s most celebrated planted forests. Shaped with precision on a woodworking lathe, it reflects the Yoshino region’s 500-year tradition of managed forestry. This heritage is upheld through meticulous practices such as dense planting, pruning, and thinning, ensuring a sustainable cycle of high-quality timber while preserving the forest’s ecological harmony.
Yoshino cedar is renowned for its fine, uniform growth rings, achieved through the dense planting of saplings—three to four times the density in other regions—followed by decades of careful thinning and cultivation. Its warm color, elegant luster, and soothing fragrance embody the unique charm of this extraordinary wood.
In crafting Nenrin furniture, the turning process is conducted with great care, starting with a study of the intricate patterns of the growth rings to determine the ideal shape. Even slight changes in carving angle or form influence the appearance of the rings, imbuing each piece with its own distinctive character. The wood’s grain, hues, and occasional knots tell the enduring story of trees nurtured over generations in the tranquil mountains of Yoshino.
shelves
Grid Shelf
The Grid Shelf turns walls into architectural features with a minimalist grid structure made from solid wood. The thin panels showcase the natural beauty of the wood, while intentional knots add a unique vitality. This shelving system can be configured in various ways, offering both aesthetic and functional flexibility. Its rhythmic design creates a serene backdrop in any space, adding a sense of harmony. Whether displaying books or decor, the Grid Shelf balances simplicity with purpose, enhancing any interior.
Arashiyama Sways in the Wind
Inspired by Kyoto’s celebrated Arashiyama bamboo grove, the Arashiyama Sways in the Wind modular shelving system mimics bamboo stalks with its cylindrical wooden posts. The design creates a partition-like effect, evoking dappled light filtering through slender trees. Its adaptable structure brings rhythm and poetic charm to interiors, harmonizing natural beauty with functional versatility. Ideal for creating unique layouts, this shelving system adds a dynamic element to any room, making it a captivating addition to modern living spaces.
Kigumi Stacking Shelf
A simple, cleanly designed, and eminently practical shelf. It can be stacked up to four levels, providing flexibility in layout for living or work spaces. Useful for both storage and display, it offers a versatile way to enhance any space.
Kigumi Thin Shelf
A shelf that reflects the Kigumi philosophy while maximizing the material’s potential for thinness and lightness. The slatted shelf creates a subtle tension with the warmth of the cedar, while its contrast of light and shadow imbues the space with a gentle quietude.
Chigaidana Shelf
Inspired by Japan’s traditional chigaidana shelving, this modern reinterpretation features alternating shelf levels, reminiscent of asymmetrical alcove designs. Constructed from solid wood and incorporating historic woodworking techniques, the shelf embodies both movement and stillness in its structure. Ideal for displaying books, decor, and plants, the Chigaidana balances functional design with aesthetic appeal. Its contemporary take on a traditional form brings a dynamic yet harmonious presence to any interior, offering both visual interest and practical use.
Tray Tower
The Tray Tower integrates a 9 mm steel frame with sliding wooden trays for a sleek, minimalist design. The trays are removable, offering functional versatility while maintaining a lightweight appearance. This adaptable cabinet system is suitable for various environments and emphasizes practicality. Its clean lines and simplicity create a modern, uncluttered look, while its flexibility ensures it meets a wide range of storage and display needs, adding both form and function to any space.
Multilayered object
Light intersects and blends with color as it passes through this simple yet refined shelf, crafted from 5-mm thick acrylic panels in blue, green, and purple. The transparent material allows even the joints to remain visible, creating layered depths of color where they overlap. The low type of this shelf serves as an unobtrusive yet functional side table for a sofa, adding a quiet accent to the space with its unique transparency and lightness. The high type harmonizes effortlessly beside a desk or in any corner, standing like an object of art, reflecting light and its surroundings to create a gentle rhythm in the room.
More than just a storage piece, this shelf is an object to experience, one in which light and color weave delicate expressions that shift with time. The ever-changing interplay of gradations and shadows offers a fresh impression with every glance. As each color casts its own perspective on the world, the shelf quietly blends into daily life, becoming a presence that enhances both space and perception.
cabinets
Museum cabinet for living
Museum cabinet for large objects
Museum cabinet for tableware
Museum cabinet for books and records
Museum cabinet for small objects
Museum cabinet for pray
This cabinet was designed as a beautiful setting for the display of treasured items, resembling the display cases in museums. It embodies our commitment to craftsmanship, with the frame integrating traditional Japanese woodworking techniques, balancing strength and design. The gently curved outer surfaces soften the cabinet’s appearance, while the classic decorative trim, known as tama-buchi, adds a refined touch with its rounded edges. The sliding doors, crafted by traditional methods, avoid metal rails and instead feature grooves carved into the door frame, a time-honored approach. With Japanese woodworking techniques applied throughout, the cabinet evokes the elegance of Japanese architecture, with its frame resembling wooden building structures and its legs made with traditional joinery. Five glass panels allow natural light to illuminate items housed in the cabinet, enhancing their beauty. Placed near a window, the glass reflects the greenery outside, making the cabinet more than just a functional piece, but an object of beauty.
The museum cabinet now includes 10 new variations, with reimagined proportions and materials. Solid wood is used for the top, sides, and back, yielding a simple yet powerful presence. Each cabinet is designed to create a unique atmosphere based on its surrounding space and individual use. Crafted with solid wood that is sensitive to changes in the environment, this cabinet requires precise craftsmanship. Our skilled craftsmen have brought this new museum cabinet to life guided by the Time & Style philosophy of creating enduring, tactile designs.
Keyaki cabinet
The museum cabinet for private collections is one of the most iconic examples of Time & Style’s craftsmanship. It has been specially produced with Japanese keyaki (zelkova) wood for Noma Kyoto. The zelkova is a broadleaf tree that is emblematic of Japan. The distinctive grain and color of the zelkova wood covering the four sides of the cabinet give it an unprecedentedly powerful presence.
Zelkova has been used in Japanese architecture and furniture for centuries. However, working with this wood is challenging due to its tendency to warp and resistance to processing. The cabinet is assembled with intricate joinery techniques by highly skilled artisans who masterfully handle this challenging material.
ottomans
Iwa ottoman
Iwa (meaning “rock” in Japanese) is an ottoman series inspired by river stones shaped over time. Designed in various shapes—square, rectangular, triangular, and trapezoidal—these pieces can be used individually or combined. The stitching avoids traditional intersections, instead folding back before crossing, allowing it to blend seamlessly with the curved forms. Leather remnants are repurposed as accents, evoking natural rock cracks and adding visual interest. This design combines sustainability with a natural aesthetic, offering a modern take on organic forms.
lamps
Amagumo
Amagumo combines Japan’s unique woodworking techniques with Mino washi, a traditional Japanese paper. The box, with its precise straight lines crafted through joinery techniques, is the result of rigorous attention to structure, strength, and finishing details, achieved through careful experimentation. By stacking and intentionally offsetting these masterfully crafted boxes, an abstract, three-dimensional state of “imperfection” is achieved—evoking the light airiness of clouds in the sky, constantly shifting.
The design reveals a variety of expressions depending on the viewer’s perspective, bringing to mind the irregularities and spontaneous beauty found in nature. Amagumo merges Japan’s traditional aesthetic with modern interior design to create a contemporary interpretation. It embodies the Japanese impulse to integrate nature and the changing seasons into living spaces, thereby awakening deep-rooted memories within the Japanese heart.
With its mystical, tranquil, yet shifting expressions, Amagumo, which means “heavenly clouds,” captures an image of clouds drifting in the sky. It introduces both movement and stillness into a space, forming a graceful and captivating presence. The soft light that diffuses through the washi paper adds warmth and dignity, gently illuminating the people and objects around it.
Spacecraft
The Spacecraft pendant lamp features bold, dynamic curves that evoke the image of a futuristic spacecraft. Made from Akita cedar and Mino washi paper, it combines Japanese materials and craftsmanship in an innovative design. The bentwood frame, achieved through advanced techniques, pushes the boundaries of material possibilities. Hand-applied washi paper diffuses light gently, creating a warm, inviting glow. The lamp’s low-profile design makes it adaptable to various ceiling heights, offering a striking yet subtle lighting solution for different spaces.
Hozuki
The Hozuki lighting series features fluid, interconnected curves that enhance its dimensionality and create subtle shadows. Available in pendant and floor-standing models, the minimalist design suits various spaces, whether used singly or in groups. The organic shape of the curves adds warmth and cohesion to interiors, providing both an artistic and functional lighting solution. Hozuki’s understated elegance and innovative design make it a versatile piece that complements modern and contemporary environments while offering a distinctive lighting experience.
Koma Paper Lamp
Inspired by the traditional Japanese spinning top, Koma transforms this playful motif into an elegant lighting design through the art of Japanese lantern-making. The lamp’s geometric silhouette is crafted from Sekishu washi paper, celebrated for its delicate thinness and exceptional workability.
Coloring washi paper is a demanding process, as its high absorbency can lead to uneven results, especially on larger surfaces. To overcome this challenge, the dosabiki technique—rooted in traditional Japanese painting—is applied to prevent pigment bleeding. This method allows for precise hand-painting, creating softly tinted lanterns that emit a warm and gentle glow.
The lamp’s floor stand base features the hera-shibori technique, where oxidized brass is finished with a textured black surface and polished by hand using custom beeswax. This process imparts a rich, tactile quality, adding depth and warmth to the overall design.
Arita
Porcelain making in Japan began about 400 years ago in the Hizen region of Kyushu. This collection of white porcelain lighting was created with the skilled artisans of Arita, who have passed down this tradition for generations. Porcelain is known for its pure whiteness and gentle translucence. Unlike pottery, which blocks light, porcelain is the only ceramic that allows light to pass softly through.
Each piece is shaped using an old technique called slip casting. In this process, casting slip is poured into a dry plaster mold, filling it completely. The plaster slowly absorbs the moisture, causing the slip to harden from the outside in. As its thickness increases, even a few minutes can change the outcome, so the process requires careful timing. When the right thickness is reached, the extra liquid is poured out, and once the form is firm, it is removed from the mold, trimmed, and left to dry.
Porcelain shrinks by nearly 15 percent during firing, so each piece is made slightly larger to allow for this change. Some of the largest pieces in this collection require over 100 kg of casting slip, making the casting process a two-person task. Drying and firing must be done with great care, as small differences in conditions can cause warping or cracks. For artisans who usually make tableware, creating pieces of this size was a new challenge. The collection was brought to life through countless adjustments—refining the slip, perfecting the casting time, controlling thickness, temperature, shrinkage, and more.
The pieces are left unglazed, preserving the original matte texture of white porcelain. The sharp, geometric forms shaped by the mold soften during firing, giving them a quiet warmth. When unlit, they stand like elegant sculptures. When illuminated, the surface reveals ripples created by the flowing porcelain, bringing out a natural, glowing beauty.
After Dark / After Dark candlelight
These two stands are crafted from layers of tinted glass, designed to hold either electric lighting or a candleholder. Their minimal structure highlights the purity of glass—its transparency, its depth, and the way it captures and transforms light.
In the electric version, the bulb itself becomes the centerpiece, casting a soft glow through grey-tinted glass, filling the surrounding space with gentle shadows. The candleholder version reflects flickering flames in warm bronze colour glass, creating an atmosphere that is intimate and serene.
Available in both floor and tabletop designs, these pieces can stand alone or be arranged together. When several are placed in a row, their colours and lights blend into shifting layers, forming a quiet, poetic presence.
Enshu
Enshu is a lighting design based on a reinterpretation of the cylindrical lanterns said to have been invented by the tea master Kobori Enshu. The design complements both traditional Japanese interiors with tatami flooring and modern Western spaces with sofas and dining areas. Made from Akita cedar, known for its fine grain and durability, and hand-made Mino washi, it diffuses light softly to create a warm atmosphere.
Two shades of white
This lamp combines a white porcelain base, crafted by Arita artisans, with a white linen shade. The contrast between the twelve-sided, angular base and the soft curves of the cylindrical shade creates a sculptural presence.
Although both the porcelain and linen are white, they interact with light in different ways. The porcelain has a smooth surface of pure, translucent whiteness, while the linen, woven with slight irregularities, exudes subtle shadows and a natural warmth. These two materials, though contrasting in texture, share the essence of unaltered, natural whiteness. When illuminated, their differences become even more distinct—the porcelain remains still and serene, while the linen softens the light with its quiet warmth. Together, they create a tranquil, harmonious glow.
tables / consoles / small tables
Yoshino table
The Yoshino table collection captures the essence of both Japanese and Danish influences in appearance and tactile experience, drawing inspiration from Japan’s enduring woodworking traditions, particularly miyadaiku techniques that employ no nails.
Crafted from exquisite Japanese cedar wood sourced from Yoshino in Nara Prefecture, each table features straight-grain cuts taken from trees that have been meticulously nurtured for over 150 years. The rich soil of Yoshino contributes to the wood’s renowned fine, straight grain, enhancing its natural beauty.
The table design pays homage to the forest, celebrating the honest beauty and intrinsic materiality of cedar wood. Key design elements include the joints and connections, along with a simple yet intricate construction that is inspired by traditional Japanese woodworking techniques and architectural styles.
Kigumi Table
A dining table with a thick top that brings out the natural beauty and texture of Akita cedar’s grain. The solid, balanced legs support the substantial tabletop, imparting both solidity and elegance. The table brings a refined atmosphere to its space, exuding a quiet and sophisticated presence.
Kigumi console
A console table that highlights the beauty of the wood grain. Its moderate depth makes it versatile for use as a counter, desk, or display stand. The wooden joinery of the legs subtly blends with the interior, adding a tranquil presence to its space.
Parthenon
This Arita-ware white porcelain side table is shaped like a multi-sided column. Gentle vertical grooves run along its surface, evoking the pillars of Greek architecture and forming delicate gradations of light and dark. Yet, unlike the perfect symmetry of marble, this piece carries the subtle irregularities born from the firing process—imperfections that give it a warmth unique to ceramics.
As furniture, the porcelain form brings a refreshing presence to any space. It blends seamlessly with both modern interiors and traditional Japanese settings. Whether used as a side table or placed alone as an object of quiet beauty, it highlights the pure and serene nature of porcelain. This piece reimagines porcelain beyond its traditional role, opening new possibilities for the material.
Woodpecker
The Woodpecker table draws inspiration from the rhythmic pecking of a woodpecker, capturing the motion and sound of this natural behavior. The design marries wood and metal, balancing the sharpness of metal with the warmth of wood. This table is not only practical but also a form of artistic expression, bringing nature’s vibrant rhythm into daily life. Its distinctive visual appeal makes it a dynamic addition to any space, blending functionality with a sense of nature’s movement.
Kasama
In Time & Style’s collection of tableware, there is a Kasama ceramic serving board. The Kasama Table was born from the idea of creating a larger version of this design to impart a new sense of presence. Using the traditional tatara technique, in which clay is cut into slabs and assembled, the table is shaped with legs attached to the top. Its size was carefully determined to fit the largest dimensions that can be placed in the kiln. Due to this size, the top is prone to slight warping during firing, so multiple supports are used to maintain its shape inside the kiln.
The Kasama Table can be used in many ways—stacked as a second layer on a dining or low table, placed directly on tatami mats, or adapted to any number of creative uses. It is also suitable for bathrooms and outdoor spaces. The pottery’s refined glaze softly enhances any interior, bringing a quiet elegance to the space.
Piccolo
Anodized aluminum finishing, commonly used in precision equipment like computers and cameras, is a highly durable process that enhances corrosion resistance. Unlike paint, this technique allows dye to penetrate the aluminum’s porous surface, creating deep, rich colors. Now, our anodized aluminum side table comes in a new, more compact size we call Piccolo (“small” in Italian). True to its name, this petite yet charming table adds character and presence to any space. It works perfectly as a living room side table, a bedside companion, or an accent in an entryway. Available in six colors and two heights, Piccolo combines functionality with elegant design, making it a versatile addition to any setting.
partitions
Hazakake
Long ago, Japanese homes had no fixed interior walls—only pillars and a roof. Instead, people used bamboo blinds and wooden shutters to divide spaces as needed, allowing rooms to shift and breathe. The essence of Japanese spatial design lies in this idea of “boundaries.” For the Japanese, a boundary is not always something solid; it can be a subtle division, sensed rather than seen. Rooms in modern times are enclosed by fixed walls, but traditionally, even a single drawn line was enough to define a space. Boundaries could appear and disappear at will, shaped by perception rather than physical barriers. In traditional Japanese theater, for example, subtle distinctions—such as the presence of a black-clad stagehand (kurogo)—may go unnoticed by a Japanese audience, yet be perceived by others. The same can be said of the difference between visible and invisible boundaries.
Hazakake is screen made of bamboo, inspired by a serene landscape of rice fields after the autumn harvest. It is crafted with meticulous care, embodying the harmony of nature and human design. The bamboo frame is light yet durable, allowing the screen to gently divide a space without creating rigid barriers. Its simplicity and elegance create a sense of calm, while offering a subtle and flexible way to define areas within a room. The design reflects the Japanese approach to space—where boundaries are fluid, allowing for movement, flexibility, and a connection with the environment. Hazakake does not simply separate, it invites a deeper understanding of space and the quiet beauty to be found in its division.
contact
access
Time & Style Treves
Largo Claudio Treves, 2
Time & Style Balzan
Via Eugenio Balzan, 4
Time & Style San Marco
Via San Marco, 13